My preferred styles of tattooing
Neo Traditional
Neo Japanese
Realism
Blackwork
My primary creative influences
Naruto
Berserk
Lord of The Rings
Lovecraft / horror fiction
Dungeons and Dragons / Fantasy / Dark Fantasy
Literature / Video Games / Pop-Culture / Anime / Manga
Animals / Flowers / Nature / Architecture
About Tobias |Brisbane Custom Tattoo Artist
I started my tattoo journey when I was 14. I was always interested in art, but one day I found a tattoo design magazine. I would take it with me everywhere, re-drawing dragons, skulls, flowers and blades at school, on the bus and after my weekend jobs. My dad had recently been released from a 5 year stint in prison. He saw a lot of tattoos while in prison and shared my new found interest, so for my 15th birthday he bought me a tattoo machine from eBay and let me practise all I wanted on him.
It's funny because I haven't tattooed him since, I think 15 year old me tattooing with absolutely no idea what I was doing turned him off tattoos after that.
Unfortunately though we grew up surviving day to day and it wasn't until I was 23 that I was financially stable enough to start an un-paid apprenticeship. At the time I was working a 9-5 office job at a software startup. I was able to negotiate a new contract where I dropped from 38 hours a week to 30, giving me 1 day off.
I would then work 4 days at the office and 3 days at the studio, some days also going straight from work to the studio for the days the studio shut at 9pm.
I did this for almost 2 years, and in 2019 I was ready to move fulltime into tattooing and start my career.
I was lucky enough to have been taken on by Bernie, the owner of Wild at Hear Tattoo, a true old school tattooer that just cared about doing good tattoos and making the client happy. I learnt a lot from him and he helped transition me into supporting myself as an independent artist.
In 2021, I was then beyond lucky to be offered a space at Save Point Tattoo, owned and operated by local and abroad legend Dale Winter.
I had been getting tattooed by Dale since 2012, he was my biggest inspiration in the industry and now now I am lucky enough to call him a personal friend. Dale has taught me to stay authentic in my art, treating tattooing as a manifestation of my creative identity.
Over the years I have had many different interests, I started art doing realism, then transitioned to more stylised, illustrative art, though I do get bored easily and love constantly mixing things up.
With tattooing however, my approach has remained consistent. I believe to make a tattoo look great you need 3 things.
Contrast
Lighting is only bright when compared to complete shadow.
Blending
Smooth gradient blends compliment the flow of the body and provide contrast to areas of texture.
Open Skin
Using skin to portray tonnes and highlights allows tattoos to look more natural on the body, as opposed to looking like a solid sticker.

